Vedic Art: Indian Miniature Painting, Part 8
BY: SUN STAFF
Ragmala, Malwa, Central India
Dec 17, 2011 CANADA (SUN) A serial presentation of India's artistic legacy in paintings, sculpture and temple architecture.
THE WESTERN INDIAN SCHOOL & RELATED STYLES
1450-1550 A.D. (Continued)
Ragamala Paintings are a series of illustrative paintings from medieval India based on Ragamala or the 'Garland of Ragas', depicting various Indian musical nodes. They stand as a classical example of the amalgamation of art, poetry and classical music in medieval India. Beginning in the 16th Century, Ragamala paintings were created in most schools of Indian painting, most notably the Rajasthan or Rajput Ragamala, the Pahari Ragamala, Deccan Ragamala and Mughal Ragamala.
Ragaputra Velavala, Bhairavi Raga
Basohli, Punjab Hills, c. 1710
Many early Ragamala paintings fall under the category of the Western Indian art school. The Pahari Ragamalas are ascribed to both the Pahari (Pahandi) people of the Himalayans, Himachal Pradesh and Uttarkhand, but also to the region of Pakistan. We will briefly explore the Ragamala illustrations done in all these schools over the course of our study, beginning with a comparative look at examples from all the schools, shown here.
Mughal, Amber, Rajasthan, c. 1610
Ragamala paintings comprise a depiction of the Ragas, personified. Each one is represented by a particular Sanskrit verse describing the pastimes of key heroes and heroines (nayakas and nayikas). The Ragas are further illustrated by specific colors and moods, by time of day or night, and by seasons during which the Ragas are to be played and sung.
Parvati Devi (left) and Lord Shiva Bhairavi (right)
Bhairava Raga, Nepal (Bhaktapur), c. 1625
Most Ragamala paintings also specify a particular deity. Although the deity may not always be pictured in the painting, there is some stylistic reference to a deity. Sri Sri Radha-Krsna, Parvati-Shiva and Sita-Rama are joined by Bhairava and Bhairavi and others.
Deccan, c. 1585
The six principal Ragas are Bhairava, Dipika, Shri, Malkaunsa, Megha and Hindola, and these are meant to be sung during the six seasons of the year - summer, monsoon, autumn, early winter, winter and spring. We particularly find many images of Radharani and Krsna in the Megha and Hindola Ragamala paintings.
Top: Krishna holding a Sabre, Megha Raga
Bottom: Shivalinga Puja, Bhairavi Raga
Mughal, Amber, Rajasthan, c. 1780
Not only are the personification of the six principle Ragas depicted in paintings, but also their wives (raginis) and their sons (ragaputra). The six principle Ragas are male (parent) ragas, each having five raginis and eight ragaputras, except Raga Shri, which has six raginis and nine ragaputras, making a Ragamala family of 86 members Some paintings also feature daughters (ragaputri).
Lord Shiva - Bhairava Raga
Pahari, Nurpur, c. 1690
Sources: Excerpted and paraphrased from:
Smithsonian Freer Sackler Gallery
The British Museum
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